S.E.W.N.

08/07/2014

The Perfect Pair // Burda Style 7195

IMG_7468 (2)Now, I’ll try not to be offended if no-one remembers at the start of the year I declared 2014 year of The Perfect Pair. No, not a boob job! That’s next year (jokes). Just the year to sew up as many pairs of shorts as possible from this list, in the hopes of unearthing the perfect go-to pattern. All part of the larger plan to sew more ‘fiercely attractive, mum-friendly clothes’. As it happens to be July and this is my second pair, you can see it’s obviously going swimmingly lol. But good ground has been made! I now know that Burdastyle 7195 is NOT my perfect pair of shorts. Okay, so it’s not all bad. It’s just not all good. I’m not 100% convinced they are flattering and this has everything to do with where they hit on the waist and the rear view. My backside has sufficient volume, thank you, why add more? Sure, an elasticated back eliminates the need for a zipper which makes them ‘easy’. But there was just so much potential here: pleats, cuffs, cute waistband details…they even looked great on the pattern cover! But the back, ohhh the back. I’m having a poofy-puffy-pants-party and you’re invited.

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IMG_7502The fabric is a nice plain-jane bottom weight cotton twill (with stretch) in an interesting (SOLID!) color. I bought it with plans to sew something or other to go with the rest of my print-heavy closet. And I really thought that they would be the PERFECT PAIR! But alas, we are in love-hate. I love the pleats, the cuffs and the high waist… in theory. However, and this is going to sound weird, the band hits at this awkward point above my waist, where instead of supporting my post-10lb-baby tummy (which can actually look three months pregnant when I relax..amazing huh?!) like a good waistband should, it makes my tummy just want to chillax and hang out under its little ledge. What’s a little stomach muscle separation between friends, ey? Combine it with front pleats and a tendency to carry any extra weight through the middle (where I store my acorns for the winter) and I feel it’s all a little too ‘bulbous’, borderline uncomfortable, for my liking.

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Guys! Do you believe in sewers intuition?! You know, that feeling in your gut when yes you measure size A but you’re going to cut size B anyway. Maybe there’s nothing woo woo about it and its something you get better as judging as you go along and begin to notice differences in sizing between pattern companies. In Vogue patterns I never size down and this has served well so far. Out of the other big ‘four’ I often size down and end up getting closer to the fit I want, first go. Which means I’ve never really had to hone my tweaking and fitting skills. Instead I play the size gambling game. Much more fun! And with good returns mostly, except for when I run into crotch depth issues and its resulting camel toe. Times when I actually probably needed the length of that larger size. Anyway, for this pair I took one look at the pattern pieces, correctly gauged them as being gargantuan and sized down from a 12 to a 10.

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There quite a few neat little features of the pattern worth noting. So, there’s the pleats, which extend up into more pleats in the waist-band. And then there’s actually a waist tie, which is supposed to be tied at the front, where it hides all the best details of the pattern. I’ve been tying it at the back where it makes the perfect ‘paper bag’ for the gathered waistband in all its glory, coming up…

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In spite of all, they’ve been getting some wear. And I do love the big cuffs! Which probably saved them from the naughty corner. The color also goes with a lot of things I’ve already made. Funny, now that there’s more sewing than buying going on, its totally changed my approach to shopping. I feel like I now shop more for pieces that will compliment things already in the hand-made closet. Pieces that go with everything but I’m not necessarily interested in making, at least for now. Like a navy blazer!

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Well, all that extra fabric at the back had to go somewhere. And looks like my bottom has eaten it for lunch! Hmm, there’s not really much else to say here so let’s move onto the insides. Last week I admitted a new found love for binding seams, as a fun, ok, rewarding, way to finish edges and pretty up the insides. So I couldn’t resist adding some contrasting ( store bought this time) binding to this pair. It’s a simple process but takes time.

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What are your feels? Have you had similar unflattering fit issues with gathered waists? Or post-partum bellies?!

03/07/2014

Tokyo Kimono Jacket + Dot Mini

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirtNot surprisingly, after the big re-launch last week, I relaxed, got sick and have been drifting about in a lemon and ginger infused stupor ever since. In other news, we are having spectacularly beautiful, no-filter-necessary, typical Brisbane winter right now. And its cold. Now I know there is cold and there’s cold and I’ve already lost that one because there’s sunshine and no white stuff on the ground, but STILL, we tend to get a little bit excited here at the thought of bracing against the elements. Yesterday, I finally got jack of looking like a fly fisherman in my one extra toasty, fleece lined, tartan jacket and went out and bought a much better looking cosy, knitted jumper. Which means I can no longer deny winter is here and also how hopelessly inadequate my cool weather clothes are. Luckily, I have a big juicy list of Winter ‘to sew’s. But first, there’s a backlog of un-blogged garments to share from my time out. Sewn during the ‘endless summer’ that was autumn this year and are now of course completely inappropriate and being hidden under said oversized jumper. Out-of-sync is my middle name! First up, this happy duo: the Tessuti Tokyo Jacket and polka dot Vogue 1247…

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirtAda Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirt

So I’ve had my peepers on the Tessuti Tokyo Jacket pattern since this pretty version by Lisa of Tessuti, then Sallioeh’s hand-painted silk beauty and not forgetting the color-blocked goodness of Sew Amy Sew’s Tokyo. Kimono style jackets are pretty big right now, there’s a whole bunch of DIY’s around the web. It’s a silhouette that I think looks great on everyone and goes kind of awesome with everyTHING! Jeans, slouchy pants, pencil skirts, knit dresses, jumpsuits, maxi dresses etc etc. And, like my new-found sack dress love, now I’ve made one, I want another and another. A closet of sack-dresses and kimono jackets please and thank you.

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirt

The fabric! The FABRIC! Last week I raved about Nani Iro fabric, well, this here is one such lovely that I stashed away for something special. It’s called Kokka Fuccra- Rakuen Japanese Fabric  and quite simply it is f*%king delicious. Being a double gauze it is super soft and being a cotton it sewed like a dream. What more can I say except that I lovingly pre-washed it, cut out the Tokyo jacket, got freaked out over something in the instructions and didn’t touch it for two months. Which is something I NEVER EVER do. Either you like having a couple of projects on the go at a time or you’re a start-it-finish-it kind of sewer. Me, I cannot deal with having several sews in progress, especially not one taunting me from under the sewing table. All laughable now, after I just pulled it out again on another ordinary day, flicked through the instructions (which were totally great) and sewed it up in half a day. You got to be in the right head space for sewing, amirite?

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirtAda Spragg // DIY Tessuti Tokyo Kimono Jacket

Sizing? I made a small, with a medium in length. Mods? Omitted the centre back seam on the main back piece and the neck-band because my print was non-directional which allowed me to lay my pieces along the length of the fabric. I French seamed, because I like French things and opted for a double fold hem in preference to a single fold with the over-locking showing. Pretty innards make me happy. Loved? Sewing the whole thing! It has become one of my favourite pieces in the hand-made closet to date and I’m putting this down to all the love and care I bestowed on the little details like pockets, the cuffs, the neck band, being rewarded with a beautifully finished garment. Lil’ bit proud. Loathed? Nada. Ok, well, maybe that my french seaming the side seams meant I couldn’t snip the curve and it doesn’t sit totally flat. Make again? Fo Shizzle.

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirt

If you recall this make here, also included with pattern Vogue 1247 is a really meh looking skirt, from the cover at least.  It wasn’t until after this hot brocade version of Heather’s that I gave it a second look and actually what looks like a plain little a-line skirt from the outer is quite a neat piece of patterning architecture on the inside. Check it: secret kangaroo joey pouch pockets! So, Vogue 1247 is a great value deal folks. I had a little remnant of this light weight silk with woven dots. Read: fragile, do not pre-wash. After which, it went all seer-sucked and I wept, moved on and came to love it’s wrinkles. Can’t even remember what it was like flat. I decided the fabric needed some extra support and backed each piece of the pattern, all 8 pieces, not including the waist band, in a navy cotton voile. What I didn’t anticipate was that the polka dots are not random at all. They are in lines. Neat little lines. Like stripes actually. Dammit! Matching them around the pockets wasn’t easy and they’re not totally straight in parts but what choo gonna do.

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirt

Ada Spragg // DIY Vogue 1247 skirt

One thing to note is it’s very very short. I meant to add an extra bit to the hem when I was cutting it out but got distracted and ended up adding binding to the hem to squeeze out an extra bit of thigh-coverage. I was saddened by this addition but the binding is such a phenomenal color match to the fabric and you do have to look quite close. And speaking of binding, ahem, the pattern calls for the inside seams to be totally utterly bound. Which might sounds like a whole lot of extra work when you could just over-lock. Which it was, but totally worth it. I think you’ll agree, these are some good looking insides down there. And I may have got a taste for it and gone on a binding rampage with the next project.

Ada Spragg // DIY Tessuti Tokyo Kimono Jacket + Vogue 1247 skirt

Sizing? I made a size 12, which is my normal Vogue pattern size but at the time was carrying a little extra (blog construction stress) weight around the middle. Proportionally my waist measurement is always wide compare to my hips and bust but normally the amount of ease means I get a nice little snug fit on the waist without having to size up. Apparently too snug this time: the waist-band wouldn’t meet at all. So, we rolled with it and two self cover buttons and a couple of loops later I actually kind of love the new ‘design feature’. Mods? Only a small wedge taken in at the bottom sides seams for more pencil, less A-line. Loved? Another satisfying sew, good instructions, pretty innards and pouch pockets! Loathed? Slaving over 5 meters of bias binding. Make again? Done and incoming!

25/06/2014

Nani Iro Month // Sack Dress Love

SophieEdited-32Have you heard of Nani Iro fabric? If yes, then you’ll already be well familiar with its charms. If no, this could be the start of something very good. And very bad. Allow me to introduce you to this seriously beautiful fabric designed by Naomi Ito. The details of how I discovered Nani Iro are hazy but it was likely during a search for ‘Japanese Fabric’ on Etsy. Which lead me to the Japanese fabric happy place that is Miss Matatabi’s store! I bought my first piece of Nani Iro; the softest mint double gauze with white polka dots which became these shorts.  Since then I’ve stashed away a few floral pieces, one of which will be getting its airing shortly. The prints are beautiful and unusual, kind of like art meets fabric. You could sew a dress or you just fling a piece up as a wall hanging. What I love most is that the prints don’t really fit into any current trend, which means I want to wear them now but I could also imagine wearing them in my eighties! And since June has been declared the official month of Nani Iro loveMiss Matatabi has asked a handful of Nani Iro fans to choose from a selection of pieces from her shop, on the condition that they must only sew….whatever they want?! So I said, hmm let me think about that one… SophieEdited-21SophieEdited-42 I  picked out this Water Window Water Gauze, in the pinky purple hues (it comes in three other colorways!). It was pretty on the screen and possibly even more breathtaking in the flesh. Literally a watercolor painting on fabric. I’ve not come across anything like this print before. It would have made up beautifully in so many things. A high waisted midi skirt was my first idea. But then I decided something simple and boxy like the silhouette of the Rebulique Du Chiffon ‘Monique’ dress would look amazing with the large print. Actually I must have been subconsciously vibing the  ‘robe Monique‘ example dress on the pattern cover. Statement prints are perfect for this pattern!SophieEdited-35The pattern itself is in French. A minor detail, brushed aside in my excitement over the latest batch of patterns by Republique Du Chiffon. I’m blaming this video trailer ( released with the collection) with its cool tunes, cute French girl and general swank for my purchase of the Robe MoniqueJacques Pantalon and the Veste Bernadette. Clearly, a sucker for an atmospheric sell. Take me to France already. When the patterns arrived, I opened up Monique and got a little shock when I remembered it was all in French. At first I thought I could translate the whole thing with Google translate. Then I realised that would take longer than sewing the actual dress, so I only translated the words on the pattern pieces (dos = back!). For the rest I referred to the (limited) diagrams, and my previous experience with facings, throwing in some under-stitching for good measure. Anyway, consider it a miracle that the dress before you looks the same as the one on the pattern cover. SophieEdited-5 Assembling the pattern, minus the French, went okay! I loved loved loved sewing the facings, which are pretty much my favourite finish on any hand-made stuff. Figuring out how to join the facing and the main body at the sleeve ends was a little tricky. Also, the way the main pieces are drafted means that the edge of the sleeve (where the tabs join) ends up on the bias and gets stretched out really easily, especially when you’re sandwiching the tabs between the main dress and the facings. I had to go back and add extra pins here, as I had the same issue as Kirsty from Top Notch, with keeping the spaces in between the tabs even. Next time I would probably stay-stitch the top sleeve edge first. The watergauze was a dream to sew with. Its also super handy having the double layers when it comes to hemming ; you can hand-stitch a totally invisible hem by only catching the inside layer of the gauze with your stitches. SophieEdited-41SophieEdited-19 Let’s take a moment to muse on sack dresses, which clearly this one is. Being more in the pencil skirt camp I make an unlikely candidate for a sack dress lover. Its a silhouette I’ve never dared to go near before. But I absolutely freakin LOVE this! The extra volume is fun and playful especially in this print! I even added two inches to the length and sized UP (40 from a 38) for extra sack factor. There are strange things afoot around here. What are your feels…do you embrace LE SACK? SophieEdited-4

…Nani IRo loveliness all month long…

Straightgrain   ∆   you & mie   ∆   Lizzy House

A Little Goodness   ∆   Make It Perfect   ∆   skirt as top

imagine gnats   ∆   Petit à Petit and family   ∆   Saké Puppets

Sanae Ishida   ∆   verykerryberry   ∆   Craftstorming

Ada Spragg   ∆   Groovybaby And Mama

elsie marley   ∆   Miss Matatabi

26/02/2014

Gaab-reee-OH-LA!

maxi skirt length

Got to love a skirt that goes forever….

…but doesn’t take forever! 

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Presenting Gabriolathe freshest and arguably the juiciest sewing pattern to leave the hot little hands of Sewaholic. An on-the-waist, full length skirt with a back zip and hook and bar closures. If you can sew a zip (or you tube how to sew a zip) then you’re sweet. Gabriola is a skirt for all seasons (see this perfectly wintery black version) but personally I think she reeks of  icy-poles and lazy summer afternoons. Not unlike my hair, she’s wild and windswept and maybe a little unruly. The perfect companion for tank tops and floaty blouses.
IMG_8930IMG_8998If its not already apparent, this pattern is all kind of amazing. Some of the details are hard to see in this fabric but check out the technical drawing for a good look. Basically the front and back ‘yoke’ of the skirt are made up of lots of intersecting pieces. And not just random shapes but thoughtfully drafted thigh-caressing, hip-skimming leg-elongating pieces.

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Fabric // confetti viscose from Tessuti Fabrics

Sizing // Sewaholic patterns are known for lovingly accommodating the pear shaped among us. Being not especially of the pear shaped variety, I took extra care choosing a size knowing that if I went by my waist measurement, the hips would likely be too big. I measured an 8 for the bust and waist, but a 6 for the hips, so I figured if there was some ease in the pattern then I could probably get away with the 6 around the waist and the hips would be a better fit than the 8. The 6 is perfect. No sizing, fitting mods necessary.

Tweaks & tips // To attach the waistband to the inside of the skirt, the instructions call for hand-stitching. I decided to stitch in the ditch because a. I didn’t entirely trust that my hand stitching would hold up this drapey but very heavy fabric over time b. I was feeling impatient and c. actually I like the finish it gives, invisible on the outside and still neat on the inside.  Likewise I went for a machine stitched double fold hem, over a hand-stitched one to save time but again because of the fabric.

26/01/2014

The Perfect Pair // Rust Dot Culottes

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Just as suddenly as you may find yourself a mum, you may find yourself required to contort into all sorts of compromising positions during a day. Most likely you will be retrieving something from the ground, sometimes a child, sometimes a snack, sometimes a child with a snack. Whatever it is, rest assured, said incidence will occur at a. school pick up b. school drop off  c. any place you don’t want to hang around with your butt skyward. It is the nature of the beast, there’s nothing you can do. But, if you’re a moderate to quick learner, you’ll only do it, mmm, maybe nine or ten times in a mid thigh skirt / dress.
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Until the day you wake up and you realise that you are not the same person you were six short years and a lifetime ago. Clothes that were perfectly comfortable, even practical pre-kids, now fall short, literally. There’s been no dramatic change, just a million small ones that has lead to feeling like I’m on the cusp of a new era of dressing. I mean, I don’t feel that different than I did at 22, sure I’m a little older, a little wiser, maybe. And there are physical changes, like going from being busty with no hippage to hippy with no bustage. But mostly there feels less of a need to scream sexy from the mountaintops. Sure, I still want to feel attractive but mostly I’m too frickin tired to get to the mountaintops. And if I’m screaming, its probably at my kids to stop fighting in my bed first thing in the morning. Joking, mostly. No, they really do fight in my bed.
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One thing I’ve been noticing more than ever, is how important it is to dress for the day. And, in things that allow me to get on with the day. When I get up in the morning and put on something I feel good in, it colors the whole day. I stand up straighter, smile more, take things less to heart, look out for fun, am more productive and, here’s the big one…I parent, completely differently. Last year I found dressing for the day challenging. Most of the clothes I sewed, fell into the ‘too good’ for every day category. I thought maybe I could start celebrating the everyday by breaking out these clothes but then I thought I might cry if Hudson smeared butter chicken on La Sylphide. This year the plan is balance; sewing more every day clothes for the hand-made wardrobe.
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What has all this got to do with shorts? Well, since a day in the life can involve all sorts of weird and wonderful outings / acrobatics it demands a wardrobe to match. And SHORTS are the way forward. The perfect pair can tick ALL the boxes, all two of them: mum friendly and fiercely attractive. This is a fugly shorts free zone, friends. Besides the practicalities, there are a lot of great looking shorts patterns out there that keep getting shoved down the queue by more exciting projects. So I figure, divide and conquer.  I’m aiming to make 4-5 pairs, in the hopes of finding a staple go-to, never-fail shorts pattern for ever more. And where do you start when you want to make yourself some dandy shorts? Here is a list, mostly from independent pattern companies because we love them so…
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Fabric // Floaty delicious rayon from here
Size // M (a size up from this version)
Mods // 1.5 inches added to length.

First up, an oldie but a goodie: After this version, which turned out very very short and haven’t been worn much, I’ve been wanting to another go at the Tania’s. The bones are good: the fit is nice, the wide waistband feels secure and the invisible side zip is flattering. Mostly I’ve been waiting to hoe into this amazing rayon, which is so soft and drapey and delicious and I am sad that it’s over but glad it was the Tania’s that did it. If you’re making the Tania’s, you will need something flowy otherwise you’ll get poofy. I let the hems hang for a day or two and decided I rather liked them lower and higher in parts. Also because I wished I had cut them another inch longer so places where the hem dropped kind of made up for it. The upshot: I’ve been wearing them weekly!

© Ada Spragg. Design by The Darling Tree. Developed by Brandi Bernoskie.

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